Zeitgeber, a piece for chamber ensemble and electronics, explores the relationship between body movement and the embodied experience in musical perception and production. The work focuses on the basic bodily patterns of motion and their correlation with rhythmic and harmonic motion in music. The application of body movement and the embodied experience to the fundamental elements of a musical composition serves to emphasise the significance of the body in facilitating the creation of an expressive and visceral work.
Homolateral Patterning - a basic bodily movement pattern
Amanda Feery is a musicmaker based in Dublin. Her work has been performed in Ireland, UK, and Holland by groups such as Ensemble ICC, Node Ensemble, Orkest de Ereprijs and Dublin Guitar Quartet. Her work 'Boiling Point' will be released on Dublin Guitar Quartet's forthcoming album. She was a recent participant at the 15th International Young Composers Meeting, where she studied with composers Richard Ayres, Bang on a Can co-founder Julia Wolfe, and Louis Andriessen. Her String Trio, 'Protons, Electrons, and Streaks of Paint' was this years winning entry in the West Cork Chamber Music Composition Competition.
embodied music cognition, music and the body, music and movement, composition and technology